The process
Clay remembers every hand that touches it. We try to touch it well.
On the wheel, in batches of twelve
Each form is thrown from Ohio red stoneware or a bone-white porcelain blend, trimmed the next morning while the clay is leather-hard.
Dipped, poured, and waxed by hand
Our five house glazes are mixed in the studio from raw materials. Small drips and pooling are part of the record, not a defect.
Twice, to cone 6
A slow bisque, then a twelve-hour glaze firing. Every piece is checked for balance, ring, and a lip that feels right against yours.


